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He learned how to show expressions of the figure based on particular actions and in transition. That led him to artists such as Bernini, Michelangelo, and the photography of Eadweard Muybridge.
#Robert liberace figure paintings full#
He continued to research old papers and drawings full of character, and to explore anatomy and the mechanics of the body. Early on, he was working on single figures, showing pentimenti, unfinished lines, and changing positions to foster a sense of action. He imbues the figure with character, natural activity, and fluid motion. Using pentimento, he shows unfinished lines and changes that evolve as the drawings develop. Liberace’s animated contrapposto images display torsos twisting the body with a natural sense of movement. Under this influence, he visited the print and drawing rooms at great museums, reserving these works to study and copy on his own. Wright encouraged travel, copious drawing, and study of techniques to refine his paintings. With Frank Wright, whose background included years of living and studying in Tuscany and Paris, Liberace developed an even deeper love of the old masters. This scholarship freed him to concentrate on honing his skills. The skills exhibited not just correct musculature and proportion, but also depth of emotion and impending motion. Stevens encouraged his application, which he won with a portfolio replete with a sophisticated grouping of figure and portrait studies.
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Two instructors, Brad Stevens, and later, Frank Wright, led him through a series of studies, just as the masters had done with their students centuries before.Īfter Liberace finished his Bachelor of Liberal Arts, he applied for the prestigious Morris Louis Scholarship, which offered tuition and a stipend to pursue a Master of Fine Art degree at GMU. With his love of the figure, his goal was a complete understanding of anatomy, the dynamic movement of the figure, and the techniques of classical drawing and painting, influenced by the old masters. Although he had been intrigued by Hogarth’s “ Dynamic Figure Drawing” as a child, it was his first figure drawing class from GWU art instructor Brad Stevens that shaped his future. While attending GWU, he expanded his horizons to develop his love of art. Robert Liberace left Rockland County, New York, to attend George Washington University, in Washington, DC, on a baseball scholarship. Bush, Ambassador Sol Linowitz, Marc Pachter, Director of the National Portrait Gallery, and General Wallace M. Or that his portraits today would include the 41st President of the United States, George H. He regularly tours his students through the great museums of Europe, garnering from his extensive knowledge of the old European masters.Ĭlick here to learn more about Robert Liberace’s use of the technique, Allusion.Who could have known that a star baseball player from a large Italian family in Pomona, New York, would become one of the world’s living masters of the 21st century’s renaissance of realism and classical figurative art. Liberace is an instructor at The Art League of Virginia and holds workshops throughout the United States as well as abroad. He is very well known for his inspiring and informative teaching style. Liberace is a visiting instructor at The National Gallery of Art in Washington, DC, where he demonstrates old masters’ techniques. The Art Renewal Center selected the artist as a “Living Master,” and he’s an honorary member of the American China Oil Painting Artists League.
He is well known for the draftsmanship and movement of his figure work.
from George Washington University where he originally attended school on a baseball scholarship, and later with art scholarships from the National Society of Arts and Letters. He aims to combine his fascination with technique, anatomy, and art history to produce work in a variety of disciplines such as drawing, watercolor, sculpture, and painting.
Robert Liberace’s work is motivated by centuries of knowledge and skill exemplified by the great masters.
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